I chose a true single coil, the Seymour Duncan Five-Two. It was going to be used only with the neck or bridge pickup, and never by itself. The middle position was something I really had to consider. This pickup is dead silent by itself, and makes an ideal neck pickup if you like the tone but not the hum. This pickup can be split, so when it is used in conjunction with another rw/rp single coil, it will cancel the hum, and give a better quacky, notchy sound. I started with this idea, choosing the Classic Stack Plus Strat for the neck position. Seymour Duncan makes noiseless Strat pickups using either a stacked or side-by-side design. I love it in conjunction with the neck or bridge pickup though, so it was important for me to have. I also know that I never use the middle pickup alone, even on my Strat. I wanted to solve the the hum and balance problems between the pickups. When building a guitar using Warmoth Guitar Parts this past year, I set out to build the ultimate HSS guitar. It is selecting the neck pickup, a Classic Strat Stack Plus. Oh, I also didn’t like the bright pink, yellow and green colors in the 80s too, but that is another article. And what I didn’t like about many of the HSS guitars back then was the huge volume jump when you put that humbucker on. They used hot humbuckers to send that guitar signal through a rack of effects. This was certainly a problem for many 80s era HSS guitars. So when the humbucker is selected, sometimes there is a huge jump in volume. The volume difference between single coil pickups and a humbucker can be huge. While I can tolerate this in a Strat with three singles because the noise is always there, it’s hard for me to deal with it coming and going, especially with distortion.Īlso, we have balance problems. That is three out of the five positions that have that annoying 60-cycle hum. Even if you get a reverse wound/reverse polarity single coil pickup for the middle position, there will be hum when the neck single coil is used alone, as well as when you use the middle single coil alone, and the middle single coil with the humbucker. Single coil pickups hum, and humbuckers don’t. Players include Darrell Harris / Gary Puckett, Dan Lutz / Andy Summers, Roger Camero / No Motiv.Well, a lot, actually. Basslines pickups are all hand built in Santa Barbara, California, USA. Comes with four-conductor hookup cable and Basslines logo cover. Mounting hardware and detailed wiring diagram included. Tone Circuits offer three very usable bands of EQ coupled with a proprietary slap contour switch. For best results, use this pickup with the STC-3M4 Basslines Tone Circuits for MusicMan basses. The low end is full and strong without being mushy or foggy. It’s got a nice, mild “bark” without being overly brash and it’s not at all harsh in the mid-range. This hum-cancelling pickup offers a highly musical tone contour with a richly articulated bottom, major midrange, and lots of treble. Seymour Duncan listened the best MusicMan pickups over the years and distilled them into one dual coil, ceramic magnet pickup. (note: a three-coil version is available for post-’92 5-string basses, please call for details) For some time now, the loyal legions of MusicMan bass-faithful were limited in their choice of pickups. This is a direct replacement for 5-string MusicMan StingRay basses up to 1992. Great for blues, funk, classic rock, southern rock, jam, and hard rock. The Seymour Duncan SMB-5D is a 1976-voiced humbucker for Ernie Ball MusicMan® StingRay® bass.
0 Comments
Leave a Reply. |
Details
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |